Premiere of ‘Bats’

Really pleased to have received confirmation from my publisher Stage Scripts that my play ‘Bats’ will be staged for the first time ever by Newtown Amateur Dramatic Society at the Powys Theatre from 5th-10th February 2018.

‘Bats’ is a black comedy set in a quiet cul-de-sac, where a couple find their nice, quiet orderly lives disturbed by an infestation of bats. A string of people turn up and are mistaken for the bat exterminator. When he finally does turn up, his work is interrupted by a birthday strippergram, and by the time he gets down to busines, it looks like it might be too late…

Poster for 'Bats' by Phil Mansell

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Playwright in residence!

I’m pleased to say that our local amdram group, Javea Players, have adopted me as their playwright in residence. This followed a recent, highly successful open day event where I had a stall featuring some of my plays and a slideshow of various production photos.

After saying that I wanted to arrange readings of some of my unpublished plays in order to get feedback, the positive response from members of JP has prompted me to arrange a date. This has been done. I’ll be posting an update after the reading. In the meantime, here’s a cutting from Javea Grapevine featuring me with a copy of ‘Poor Yorick’ which I’ll be directing for the JP summer show next year.

Phil Mansell playwright

Cutting from Javea Grapevine

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Artwork from the archives

Wending my way through some ancient folders on my laptop, I stumbled upon a multitude of my old artwork from the days when, as a freelance artist and writer, I would frame my work and sell it at exhibitions in the Southborough area of Kent. They used to sell surprisingly well – and not just to the more eccentric types!

As I am about to start painting and drawing again seeing this art was intriguing. You are invited to check them out. If there’s any you like I can do prints at a reasonable price! Just contact me.

Incident at the Rio Cafe by Phil Mansell

Incident at the Rio Cafe by Phil Mansell

'Pub' by Phil Mansell

‘Pub’ by Phil Mansell

'Sax Mad' by Phil Mansell

‘Sax Mad’ by Phil Mansell

'Waiter!' by Phil Mansell

‘Waiter!’ by Phil Mansell

'Coming up to the finishing post' by Phil Mansell

‘Coming up to the finishing post’ by Phil Mansell

'Card Trick' by Phil Mansell

‘Card Trick’ by Phil Mansell

'The Amazing Ventro & Pablo' by Phil Mansell

‘The Amazing Ventro & Pablo’ by Phil Mansell

'Card Trick' by Phil Mansell

‘Card Trick’ by Phil Mansell

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My Plays are Now Available from Stage Scripts

I’m pleased to announce that several of my plays are now available from Stage Scripts, a long established publisher of plays, musicals and pantomimes. For perusal copies and information about performance rights go to the Stage Scripts website.

stage-script-plays-1

 

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New Website for My Plays

According to Claudia by Phil MansellAs one door opens…

I was pleased to hear from the Endeavour Theatre Company in Australia who were keen to produce my play ‘According to Claudia’. This was welcome news after my publisher ceased trading due to ill health.

Just in case other theatre groups want details of my plays I’ve set up Phil Mansell Plays to provide the information they need. Feel free to peruse it!

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Using Scrivener to Hit My Word Target

As I mentioned in my blog about my art, I have taken a break from writing plays and set myself the challenge of writing an adventure story aimed at pre-teens (or Middle Grade fiction, as it is often known).

Packed full of tools

Packed full of tools

I am of course using my favourite writing tool, Scrivener. I love this program – it’s packed full of great features that enable me to store reference material, plotlines and character descriptions all in one place, so that I can look at them quickly and easily.

However, it has another useful tool which I’m only just beginning to make use of – the word count button.

Keeping an eye on the number of words I wrote wasn’t that important when scripting a play. But as this is a book for children aged 9 – 12, I want to limit myself to 1,000 words per chapter – to maintain the pace and keep those young readers interested.

sciv 3

So I press the word count button in the bottom right of my work screen and up pops a window in which I set the number of words.

Ashampoo_Snap_2016.04.09_12h12m45s_007_

Then as I write I can see at a glance how close I am to reaching my target number of words – and know I have to work up to a cliff-hanger for the end of the chapter.

Scriv 2

A simple tool – but very useful.

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Capturing A Paul Daniels Magic Moment

The news of the death of magician Paul Daniels reminded me of the time I took his photo – and managed to capture the moment he astounded a member of the public.

Paul Daniels astounds a fashion lecturer at Newport University's  May Ball. (PHOTO: PHIL MANSELL)

Paul Daniels astounds a fashion lecturer at Newport University’s May Ball. (PHOTO: PHIL MANSELL)

It was back in 2008 when I was Press Officer at the University of Wales, Newport. I had to cover all sorts of events – including the annual May Ball. The Students Union always tried to attract big name bands and entertainers to the event which was held at the beautiful Caerleon Campus.

That year Paul Daniels was in one of the bars demonstrating close-up magic. As I walked through I saw he was doing a magic trick with playing cards for Tracey, one of the fashion lecturers.

Photography, it is said, is all about “capturing the moment” – and I certainly did that. The look of astonishment on Tracey’s face as Paul Daniels completed the trick is wonderful. This is one of the photos I am really proud to have taken.

The Elvis tribute band rocking in the marquee. (PHOTO: PHIL MANSELL)

The Elvis tribute band rocking in the marquee. (PHOTO: PHIL MANSELL)

Sadly, I was so busy that evening that I didn’t really get a chance to talk to the magician who was once a staple of Saturday night television. There was lots to cover – including a funfair, students in fancy dress and an amazing Elvis tribute band in a marquee on the lawn.

I covered the event with my photographer friend Betina Skovbro – who taught me everything I know about taking good press photos. So, thankyou, Betina – and thankyou, Paul Daniels, for providing me with a lovely photo opportunity.

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Being Rejected by Sir George Martin Makes the News!

Amazing the power of social media. Yesterday I wrote my blog about how the late Sir George Martin turned down my band, The BOI, and sent out a tweet about it. Next thing I know a reporter from the local newspaper contacts me – and today it makes a big splash in the news.

BOI story finally makes the news!

BOI story finally makes the news!

It’s quite amusing, really. These kind of stories usually follow a pattern: after being turned down by a dozen record companies the band went on to be signed up – and went on to be the biggest thing in rock and roll.

Rejection letter from Richard Branson's then new Virgin Records. (Phil Mansell Collection)

Rejection letter from Richard Branson’s then new Virgin Records. (Phil Mansell Collection)

Instead, this one is full of pathos, mentioning that we were turned down, not only by George Martin and Apple but also by Elton John’s Rocket Records, Virgin Records and John Peel’s Dandelion Records! We hardly covered ourselves in glory.

What it fails to mention is that the BOI entered a song-writing contest organised by a brewery, wrote a sing-along ditty called ‘Get It Down You’ (an anthem in praise of drinking beer, no less) and still failed to win! That didn’t stop us from becoming one of the first rhythm and booze bands.

Rare archive photo of Phil Mansell and Drew Millin of the BOI performing live. (Phil Mansell Collection)

Rare archive photo of Phil Mansell and Drew Millin of the BOI performing live. (Phil Mansell Collection)

Were our self-penned songs so bad? Here’s a chance to judge for yourself. Listen to Drew Millin’s recording of one of our songs turned down by Sir George and the others –  ‘Things Have Changed A Lot’. Comes with movie footage of the BOI at work, rest and play.

 

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George Martin Turned Down My Band!

George Martin working with Beatles on probably their greatest LP 'Sgt pepper's Lonely Hearts Club Band'.

George Martin working with the Beatles on probably their greatest LP ‘Sgt Pepper’s Lonely Hearts Club Band’.

The death of Beatles  producer George Martin marks the end of an era. He was as much a part of the Fab Fours’ legend as the lads themselves. Hard to imagine anyone else being able to take the sounds they wanted – and could hear in their heads – and transform them into such wonderful recordings. His genius as a producer provided the soundtrack for my teenage years – from ‘Please Please Me’ to ‘Abbey Road’.

Like many of my friends, I lived for music – and counted the days to the release of the next LP by the Beatles. In the ‘60s everyone wanted to be in a group, as they were called before it became trendy to use the term ‘band’.

Famous Antics, an early BOI album. (ARTWORK BY PHIL MANSELL)

Famous Antics, an early BOI album. (ARTWORK BY PHIL MANSELL)

It was only natural that when I formed a “beat combo” with my mate Rog that we would record and ‘produce’ our own albums – and send our best songs off to record labels hoping that someone would sign us up. And the one person we dearly wanted to be signed up by was George Martin. If anyone could turn our raw talent into gold it was him.

My band, the BOI, was formed after listening to Frank Zappa’s recordings of Wild Man Fischer on John Peel’s radio show in 1969. Freeform and improvised, Fischer’s songs were proof that almost anyone could have a go at making music.

Wild Goose Chase LP by The BOI (ARTWORK BY PHIL MANSELL)

Wild Goose Chase LP by The BOI (ARTWORK BY PHIL MANSELL)

So my mate Rog and I had a go even though we had no discernible musical talent whatsoever. Despite this drawback and armed with cheap guitars that cost ten bob, we managed to write some half-decent songs such as ‘Wimpy Bar Loving’ and ‘Paraffin Palace’. Things took a turn for the better when we were joined by Drew Millin who brought with him something new – the ability to play guitar. We soon wrote and produced our first collection of songs entitled ‘Wild Goose Chase’. We started to veer away from avante garde songs like ‘Technicolour Yawn’ to more melodic music influenced by Crosby Stills and Nash – and of course the Beatles.

The BOI (PHOTO: PHIL MANSELL COLLECTION)

The BOI (PHOTO: PHIL MANSELL COLLECTION)

As the band’s producer – using the pseudonym Yorick Zimmerman – I started sending out demo tapes of our best songs to the leading record labels and producers, including George Martin who by now had his own studios at AIR London. One by one, they all turned us down. (Probably the best response came from newly formed Virgin Records whose A&R man wrote that “the songs are very good and well played”. Praise indeed!)

The letter from George Martin (PHIL MANSELL COLLECTION)

The letter from George Martin (PHIL MANSELL COLLECTION)

But it was the letter from George Martin that I treasure the most. He wrote: “Dear Mr Zimmerman, Thankyou for your letter enclosing a tape of a group calling themselves The B.O.I. performing their own material. I am afraid that after careful consideration I do not feel that the group is exceptional enough to enable me to offer them a commercial recording. The songs are pleasantly formed but have no particular striking qualities. I am very sorry to be disappointing and am returning your tape herewith. Yours sincerely, George Martin.”

And there at the bottom, is the great man’s signature.

Raven Mad Records Logo (ARTWORK BY PHIL MANSELL)

Raven Mad Records Logo (ARTWORK BY PHIL MANSELL)

Of course we were disappointed but despite these setbacks we continued to make music and put together “albums” of our songs on our own Raven Mad label, reaching our peak with ‘Asleep At The Wheel’ recorded in Torquay in the summer of 1972 and featuring the vocal talents of fringe band members Terry Stephens who provided great harmonies and Dave Jones who wrote amazing songs like ‘Transvestite Hitch-hiker Blues’.

But all good things must come to an end and after the aptly named collection, ‘The End of Civilization As We Know It’, the band split up.

The End of Civilization as We Know It by The BOI (The Phil Mansell Collection)

The End of Civilization as We Know It by The BOI (The Phil Mansell Collection)

Drew went on to have a career as a singer/songwriter in Devon and is now something of a legend in that neck of the woods – his ‘farewell’ concerts at the Babbacombe Theatre were sell-outs. He can be found most Sunday nights packing them in at the Hole In The Wall pub where he sings with a variety of other talented musicians.

Drew recently released his first CD which included a song we wrote together all those years ago. It’s called ‘Things Have Changed A Lot’, a title that resonates today as we remember George Martin – the man who turned down The BOI.

Below is a video featuring Drew’s recording along with movie footage of The BOI.

 

Drew's CD makes the news. A cutting from The Herald Express.

Drew’s CD makes the news. A cutting from The Herald Express.

 

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In Praise of Enid Blyton’s Adventure Books

WBD2016_yellow_rightdownAs it’s World Book Day it seems appropriate to remember the author who first got me really excited about reading and writing. From the age of five I was taken by my mother to the magnificent old library on Soho Road in Handsworth.

It was a place where silence reigned and no noise was tolerated – even in the children’s room.

Handsworth Library

Handsworth Library

Here, I soon found myself making a beeline for the authors beginning with ‘B’ – hoping to find a new Enid Blyton to read. I graduated from her books about fairies and goblins to my real favourites – the Adventure series.

I admit I dabbled in the yarns about the Famous Five but they never struck a chord with me as much as the seven books featuring four friends – Jack and his sister Lucy-Ann, Philip and his sister Dinah and a comical talking parrot named Kiki.

Strange how much I associated with them when their lives were a million miles away from mine – they were all at boarding school and everything was “jolly good”, a phrase seldom heard down our street!

The children from the Adventure books

The children from the Adventure books

My favourite was Philip (of course) who and had a magical way with animals and was always fighting with his fiery sister Dinah. Jack was the eldest, a keen bird-watcher who seemed prepared for anything with his field glasses and pocket knife. He and his sister Lucy-Anne (the youngest and “weakest” character because she’s so timid) were orphans.

Each book takes place in the youngsters’ “hols”when they would find themselves “falling into adventures”.

From the back streets to a world of adventure.

From the back streets to a world of adventure!

And talk about page-turners! I’d sit in our little back-to-back house and, chomping on a large cooking apple, I’d be transported from the back streets of 1950s Birmingham to islands, castles, mountains and circuses packed with adventure.

My very favourite – and the one that really remains in my memory – is ‘The Valley of Adventure’. It grabbed me from the first page.

520wide+5182880The four youngsters take off on a night flight in a plane with their friend, secret agent Bill Smugs. But in the dark, they board the wrong plane and end up in a mysterious, desolate valley where they discover secret tunnels, caves, hidden treasure – and danger. I can still remember being on the edge of my seat as they found a hiding place in a cave behind a waterfall and dodged the bad guys whose plane they had accidentally hitched a ride in.

Most vivid in my memory is the description of the series of caves they explore. The Cave of Echoes, the Cave of Stalactites and the Cave of Stars lead them to the treasure…

vall“The door now stood wide open. A dim light shone beyond, showing another cave. Lucy-Anne clutched Jack’s arm in fright.

‘It’s full of people,’ she whispered, ‘Look!’

The four children stared breathlessly through the open door. They saw something that made them feel very creepy. In the dim light figures stood about all over the place. Their eyes gleamed queerly and their teeth shone in the darkness. Their arms and necks flashed and glittered with jewels. The children clutched one another in fright. Who were these strange, silent folk, standing about with gleaming eyes, covered in jewels? The people in the cave did not move. They did not speak a word either.”

560high+5107587I can still remember the thrill of reading this – I must have nearly dropped my cooking apple! Blyton’s stories inspired me to write and at junior school I filled an exercise book every week with my own versions of her stories. These usually featured myself and my friends tangling with smugglers or crooks, or being shipwrecked on a remote island. As in Blyton’s tales, the only grown-ups around were “baddies” and it was the children’s mission to thwart their evil plans.

As I grew older and moved on to books by other authors – such as Robert Louis Stevenson, another great adventure-spinner – I left Blyton behind as a cherished part of my childhood.

enidblytonwritingSince then, of course, she has become a figure of controversy; banned and mocked for being sexist, racist and xenophobic, accused of churning out formulaic stories with thin plots at the rate of several thousand words a day – albeit, rather impressively, on a typewriter balanced on her knees.

Re-reading ‘The Valley of Adventure’ now I find myself being annoyed by things I never noticed when I young. The fact that the girls have to do the cooking and household chores while the boys are busy looking at maps, making plans or going off to explore. The depiction of all “foreigners” as villains or comic figures.

Blyton’s writing is very much of its time – she started writing best-sellers in the 1930s – and it has many examples of casual racism and constant use of phrases like “I say!” and “Gosh!”. I expect much of this has been drastically revised as her books still sell amazingly well – about eight million a year (in 2008 she was voted Britain’s best-loved author, beating Roald Dahl and J.K. Rowling, and in 2012 she was second only to Dahl as the most popular children’s author borrowed in libraries).

1764cbe43b59ddffc7540e918908b146With her amazing daily output it’s no surprise that she has sold a staggering 600 million books worldwide. She must also have been one of the first children’s authors to become a brand – with her instantly recognisable “signature” on all her books.

Recent biographies and films have depicted her as a bad mother to her two daughters, a terrible wife and a snob. But to me, Enid Blyton remains a treasured part of my childhood, whose story-telling is timeless and imaginative. She was the writer whose stories could transport a young boy out of the slums into a world of exciting adventures.

For more information about Enid Blyton visit  www.enidblyton.net where you can find more of the wonderful original illustrations by Stuart Tresillian.

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